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Low Temperature Storage Implementation Basics

Once you have concluded that storage at low temperature is what your collection or parts of your collection need, several options are available depending on your particular situation. First, it is important to underscore that low temperature and low RH have the greatest potential to improve the stability of both old and new films, either nitrate, acetate, or color. In particular, using subfreezing temperature can stabilize acetate film in an advanced state of decay. It is also important to note that while the benefit of RH has its limitation (a minimum of 20% RH is recommended) the potential of low temperature to slow down chemical decay is the greatest, and most importantly, there is no recognized minimum temperature recommendation. Therefore, the coldest possible temperature will always be the best choice in terms of film stability, and essentially, the chosen temperature will for the most part be responsible for the quality of storage you provide to the collection. In the end, controlling RH, or the film moisture content, is more a question of avoiding mechanical damages than controlling chemical decay. To implement such an approach, archivists have a choice between three basic principles. All three can provide proper storage conditions for fast decaying film materials. These options are compared below.

 

Standing frost-free freezer

Walk-in cold/frozen vault
without
RH control

Walk-in cold/frozen vault
with RH control

Capacity Typically 15-20 cubic feet. However, for planning purpose consider that only half of the space is usable for storage Can be customized according to your needs Can be customized according to your needs
Climate control provided by the unit

Temperature only

Temperature only

Temperature and Relative Humidity (RH)

Temperature

Typically frost-free freezer runs around 0°F (-20°C)

Daily defrost cycle involves temporary temperature increase

Because of the materials thermal mass temperature increase at the film level is minimum

Temperature range defined by design

Temperature range defined by design
Relative Humidity (RH)

No RH control inside the unit

Wide RH daily cycle

Film moisture content must rely on moisture-proof housing

No RH control inside the unit

Film moisture content must rely on moisture-proof housing

Passive RH control using moisture buffers (moisture conditioned silica gel) and “sealed” cabinetry have been in use  

Film moisture content is governed by Temp and RH levels maintained in the vault

Possible Housing Options

2 heat-sealed aluminum bags around existing enclosures

2 plastic bags (LDPE) with RH detector around existing enclosures

Any other customized moisture-proof systems will work

2 heat-sealed aluminum bags around existing enclosures

2 plastic bags (LDPE) with RH detector around existing enclosures

Any other customized moisture-proof systems will work

No specific housing requirements

Housing providing overhead water protection are preferred

 

Materials Preparation

Prior to being placed inside moisture-proof housing, film materials may have to be moisture pre-conditioned

Never seal film during hot and humid conditions. Too much moisture may be trapped inside the sealed packaging

Film in equilibrium at 68°F (20°C) and 60% RH maximum can be packaged safely

Trapping an excessive amount of moisture inside the sealed packaging can lead to mechanical damage (gelatin softening, blocking) when film is retrieved from storage

Prior to being placed inside moisture-proof housing, film materials may have to be moisture pre-conditioned

Never seal film during hot and humid conditions. Too much moisture may be trapped inside the sealed packaging

Film in equilibrium at 68°F (20°C) and 60% RH maximum can be packaged

Trapping an excessive amount of moisture inside the sealed packaging can lead to mechanical damage (gelatin softening, blocking) when film is retrieved from storage

No material preparation is needed

Re-housing materials can be done based upon the criteria below

Do enclosures provide adequate physical protection, and protect against possible overhead water damage? If not, their replacement should be planned

Presence of solid particles from metal corrosion should be an incentive for re-housing

At low temperature, replacement of tightly sealed enclosure is less of a priority. Film, however, may not benefit readily from the ambient RH level
Moving film into low temperature storage

Once film materials have been sealed inside moisture-proof enclosures there is no need for thermal acclimatization

Materials can be placed directly inside the refrigerated unit

Thermal equilibration will occur within hours

Inside the sealed package RH will actually decrease a bit due to the hygroscopic behavior of film

Once film materials have been sealed inside moisture-proof enclosures there is no need for thermal acclimatization

Materials can be placed directly inside the refrigerated unit

Thermal equilibration will occur within hours

Inside the sealed package RH will actually decrease a bit due to the hygroscopic behavior of film

No need for material acclimatization

Materials in their common enclosures can be placed directly inside the climate controlled vault

Thermal equilibration will occur within hours

Moisture equilibration, depending upon the temperature and the type of enclosures, may take from several months to a year
Retrieval

Avoid water condensation on the film materials

This is easily done because materials are protected by the moisture-proof packaging

Materials can be moved directly into a warmer room (e.g., viewing room)

Water condensation will occur on the outside of the package

Although, thermal equilibration will occur within hours, it is best practice to wait 24 hours, or at least overnight, prior to accessing the film

Film moisture content should be the same as it was initially

Avoid water condensation on the film materials

This is easily done because materials are protected by the moisture-proof packaging

Materials can be moved directly into a warmer room (e.g., viewing room)

Water condensation will occur on the outside of the package

Although, thermal equilibration will occur within hours, it is best practice to wait 24 hours, or at least overnight, prior to accessing the film

Film moisture content should be the same as it was initially

Avoid water condensation on the film materials

Temporarily placing the film inside a moisture-proof container (plastic tub, cooler, or reclosable plastic bags) while still inside the storage is one option

Using a temperature and RH controlled staging room is another. Set points should be such that the dew point temperature should always be below the temperature of the object being moved from one space to another

Although, thermal equilibration will occur within hours, it is best practice to wait 24 hours, or at least overnight, prior to accessing the film

Depending on the storage environment, film may have to be moisture reconditioned to regain its initial physical properties
Key points for decision making

Free-standing freezer provides an efficient, contained low-cost system

Best option for storing small quantities of film at subfreezing temperature

Moisture-proof housing incurs additional costs

Access to materials is somewhat constrained due to limited storage space, and the packaging system which would require seal to be opened

This option may not be compatible with the need for frequent access to the collections’ materials

As the number of required units increases, the financial benefit decreases. Beyond 10 units this option is not recommended

Material preparation prior to storage is labor intensive

The size of such a vault can be adapted to any need

Refrigerated vault (without RH control) incurs lower initial expenses

The use of moisture-proof housing, or a combination of cabinetry and moisture adsorbents lead to additional costs

Access to materials may be easier

Material preparation is labor intensive

The size of such a vault can be adapted to any need

Best option for large collections

Ease of access is maximized

No extra labor for materials’ preparation prior to storage

Initial costs, while rather significant, will be recovered by postponing further decay, and therefore reducing the need for duplication/reformatting to avoid content losses

 

 




© , Image Permanence Institute (IPI).

FilmCare.org is a web-based film resource created by the Image Permanence Institute, an academic research center devoted to research that informs the preservation of cultural heritage collections. The Image Permanence Institute is a department of the College of Art and Design at Rochester Institute of Technology (RIT).

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